A major musical project which aims to encourage black and Asian people into opera – as performers and supporters – is staged in Birmingham on Sunday as part of the city’s Black History Month celebrations. Ros Dodd reports.
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Music societies run by amateur enthusiasts have always been a vital part of the infrastructure underpinning classical music in Britain. Christopher Morley looks at their struggle to survive in changing times.
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A recording featuring the City of Birmingham Symphony Orchestra and former music director Sakari Oramo has been voted the most popular classical recording of the last 30 years.
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Tuesday brought the biggest test so far for Andris Nelsons, the new CBSO music director adored by players and audience alike, with Debussy’s Prelude a l’Apres-Midi d’un Faune requiring delicacy, emotional restraint and refinement.
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It’s still less than a year since Andris Nelsons faced the CBSO at a private session in Birmingham Town Hall, at the start of an instant love-affair which looks like going on for a very long time.
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Turner Prize-winning artist Martin Creed will break new ground later this month when he has a composition for orchestra performed by the City of Birmingham Symphony Orchestra.
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Flags fluttered enthusiastically, balloons descended from the lofty ceiling of Symphony Hall and 600 youngsters celebrated the 30th anniversary of the National Children’s Orchestra of Great Britain.
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It’s not just Olympians coming in with new world records this month. This year the Presteigne Festival entertained an astonishing 86 per cent average attendance.
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Now in its 10th season, the popular Centre Stage programme of chamber-scale events promoted by CBSO players at the CBSO Centre is promising to be even bigger and better than ever.
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A familiar figure at the Presteigne Festival, Joe Duddell is this year’s composer-in-residence, with performances of six works during the last few days. Monday saw the world premiere of his latest, Nightswimming, for piano trio.
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Susanna Mälkki made a big impact on her debut at New York’s Mostly Mozart festival, conducting the CBSO in two works by Kaija Saariaho, the festival composer-in-residence.
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