Updated 12:32am 2 June 2012

There's no uniformity in Edward Norton's roles

Moonrise Kingdom
Moonrise Kingdom

Two-time Oscar nominee Edward Norton once said the key to capturing his characters’ core is their shoes.

In his latest movie, Moonrise Kingdom, it seems he’s made an exception to the rule, sporting a fetching pair of knee-length shorts as Scoutmaster Ward.

“You have to start with what Ward thinks and he loves the uniform. To him, it’s all a part of something he believes in, almost like a religion,” says the rather serious 42-year-old American actor.

Moonrise Kingdom is the latest offering from Wes Anderson, the film-maker behind The Royal Tenenbaums and Fantastic Mr Fox.

As you’d expect from an Anderson film, it’s oddball and includes an impressive roll call of actors including Bruce Willis, Bill Murray and Tilda Swinton.

Norton, however, spends most of his screen time with a vast entourage of children in tow.

“I’ve worked with very well-known actors who were much more difficult than those kids were,” he says.

Though he describes Ward as “funny”, he notes it would have been a mistake to set out to do a comedic performance.

“The trick to Wes’s characters is that they’re incredibly serious and sincere about what they’re doing and there’s humour in that,” he explains. “The way Wes makes movies is more like making a drama. You have to play it straight.”

Melancholic and wistful, Anderson has suggested the film depicts a summer that many people wish they’d experienced while growing up, and the actor agrees.

“I don’t think most of us were brave enough to actually run away with the girl we had a crush on and I don’t think any of the ones I knew would have come away with me,” says Norton, who grew up in Maryland with an attorney father and English teacher mother.

He enrolled in his first acting class at the age of five after watching his babysitter appear in a musical version of Cinderella.

“I remember badgering my parents all the way home. I think I had a notion that if I joined quick enough, I could get into that play,” he says.

He acted in local productions throughout school but went on to study history and Japanese at Yale University before moving to Japan “for a long summer”.

On his return, he moved to New York and acted in off-Broadway productions while studying under the tutelage of theatre director Terry Schreiber.

His big break was beating more than 2,000 hopefuls to the role of an altar boy accused of murdering a priest in 1996’s Primal Fear.

The role earned him a Golden Globe and his first Oscar nomination, while the audition tape of the screen test he’d done created a buzz among many influential casting agents. “It was like a great rock band’s demo,” says Norton.

As a result he was cast in Woody Allen’s Everyone Says I Love You and The People Vs Larry Flynt opposite Woody Harrelson.

Professionally it was an amazing period but he endured heartbreak when his mother passed away in 1997 after being diagnosed with cancer.

“My whole grounding in theatre and Shakespeare was through an ongoing conversation with my mother, so it was bittersweet for her not to be able to share in all of this. I don’t know one single person on the planet who would have more pleasure from me doing this work.”

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